From Sean Davies and Random Pictures, The Magician & The Scientist, a short story ...
Sunday, March 31, 2013
Friday, March 29, 2013
Wednesday, March 27, 2013
Tuesday, March 26, 2013
Monday, March 25, 2013
To sleep, perchance to Dream ..
Aye, there's the rub, in Tilda Swinton's performance art piece, The Maybe, currently running at MoMA with random unannounced appearances throughout the year, each time in a different location in the museum.
The Gothamist carries photos here, reporting she's there today (March 25th), maybe and if you hurry over.
More photos at this link.
Ms. Swinton originally staged The Maybe with artist Cornelia Parker in 1995 at the Serpentine Gallery in London, then continuing solo in Rome and Paris. MoMA's exhibition is part of an effort to bring back historic performance art. Chief Curator Klaus Biesenbach and the artist have been discussing MoMA's inclusion of The Maybe since 2005.
*Photo credits/top, posted by the Gothamist/middle, Gothamist, photographer: Jen Chung/bottom, Gothamist, via gallerinaoffduty's Instagram, signage for The Maybe at MoMA/Various views of "The Maybe" with artist Tilda Swinton, currently running randomly at the Museum Of Modern Art in New York City.
Sunday, March 24, 2013
Saturday, March 23, 2013
somewhere in philly
Via boing boing, an epic infographic from Hilly "chatgirl" Sargeant on the 1990 500 million dollar Gardner Museum Heist. (Go to the PDF version to read the fine print.)
More on lost (as well as stolen) art here, via the Tate's intriguing online exhibition, The Gallery Of Lost Art.
*Photo credit/Time NewsFeed/FBI photograph/"Rembrandt van Rijn, Self-Portrait," (1634), one of the 13 works of art from the mysterious 1990 Gardner heist.
In the early morning hours of March 18, 1990, while virtually every other Bostonian lay drunk in gutters or passed out in their beds, two men dressed as Boston Police officers conned their way into the Isabella Stewart Gardner Museum by telling guards they were responding to some kind of disturbance. The men spent a total of 81 minutes inside the museum, and made off with thirteen (13) works of art currently valued at over $500 million. In 2013, on the 23rd anniversary of the heist, the FBI announced that they knew who committed the crime. But they won't name names. And the whereabouts of the artwork remains a mystery.The Wall Street Journal reports that the FBI now believes some of the pieces, somewhere in Philly. The mysterious heist is considered the largest property crime in U.S. history. See the thirteen works of art here at Time NewsFeed.
More on lost (as well as stolen) art here, via the Tate's intriguing online exhibition, The Gallery Of Lost Art.
*Photo credit/Time NewsFeed/FBI photograph/"Rembrandt van Rijn, Self-Portrait," (1634), one of the 13 works of art from the mysterious 1990 Gardner heist.
Thursday, March 21, 2013
dr mermaid
Via Expanded Animation, the glassmation work of Mark Elliot and Jack McGrath. Created in collaboration with Vanessa White, Dr Mermaid and the Abovemarine is the tale of a marine biologist who can speak to fish. Blog In A Bottle says the 6 minute film took a year to make, with glassblower Mark Elliot making the figurines and then heating them up to create the small movements.
Tuesday, March 19, 2013
street fashion
Erica Renfew with the Vancouver Observer fondly remembers her father's plaid shirts in a short history of plaid fashion.
Milan.
Los Angeles.
Seattle.
*Photo credit/Vancouver Observer/photographer: Erica Renfew/"My father's plaid shirts."
Milan.
Los Angeles.
Seattle.
*Photo credit/Vancouver Observer/photographer: Erica Renfew/"My father's plaid shirts."
Monday, March 18, 2013
how high the moon
Stephane Grappelli in a rare 1991 Warsaw performance of How High The Moon. From fostexD160 who says, "Always reminds me what a musician should play and could play on stage."
Saturday, March 16, 2013
Friday, March 15, 2013
Thursday, March 14, 2013
lamb stew
Via Simply Recipes, this Basque style lamb stew adapted from an old paper issue of Saveur Magazine.
Tuesday, March 12, 2013
saved
Arthur Panajian's paintings.
*Photo credit/CBS New York/photographer: Thomas Schultz/Arthur Panajian paintings found in Thomas Schultz' garage. (Photostream at CBS link.)
Friday, March 8, 2013
quay brothers
From the Brothers Quay, their 1986 Street Of Crocodiles. MOMA had a retrospective last year reviewed by Roberta Smith. Also a slideshow here from that exhibit, a MOMA video interview with the artist/filmmakers, and a video overview with MOMA curators from ThirteenWNET.
Thursday, March 7, 2013
Wednesday, March 6, 2013
Tuesday, March 5, 2013
Saturday, March 2, 2013
beyond color
An exclusive Marc Chagall exhibit is currently running in the U.S. at the Dallas Museum of Art. "Beyond Color" presents lesser known works by the artist, including a centerpiece of costumes he designed for the 1942 Léonide Massine ballet Aleko - with music by Pyotr Ilyich Tchaikovsky.
The costumes have only been seen in the U.S. once before - in 1942 when the ballet was performed at the Metropolitan Opera in New York - and 4 weeks after a Mexico City opening where the audience included famous muralists like Diego Rivera and José Orozco and concluded "with tumultuous applause" and 19 curtain calls. The hero of the evening, Chagall had also painted the backdrops for the ballet, and in New York, where the ballet was similarly received, art critic Edwin Denby described "a dramatized exhibition of giant paintings... It surpasses anything Chagall has done on the easel scale, and it is a breathtaking experience, of a kind one hardly expects in the theatre."
The exhibit reportedly follows some of Chagall's visual relationships to Mexico and the southwest, also to space and volume. It includes ceramics, collages, and to a lesser degree, some of his paintings. The costumes themselves (hand-painted by Chagall) were sewn by seamstresses in Mexico where Chagall traveled in the course of working on the ballet. They were found in a Mexico City storeroom in the eighties.
Organized by DMA curator Olivier Meslay, and with Musée La Piscine in Roubeaux, France. The exhibit runs to May 26, 2013.
*Photo credit/Art and Seek/One of Chagall's handpainted costumes for the 1942 Léonide Massine ballet "Aleko," "Costume For A Fish."
Read more here: http://www.star-telegram.com/2013/02/20/4630556/seeing-chagall-in-3d-at-the-dallas.html#storylink=cpy
The costumes have only been seen in the U.S. once before - in 1942 when the ballet was performed at the Metropolitan Opera in New York - and 4 weeks after a Mexico City opening where the audience included famous muralists like Diego Rivera and José Orozco and concluded "with tumultuous applause" and 19 curtain calls. The hero of the evening, Chagall had also painted the backdrops for the ballet, and in New York, where the ballet was similarly received, art critic Edwin Denby described "a dramatized exhibition of giant paintings... It surpasses anything Chagall has done on the easel scale, and it is a breathtaking experience, of a kind one hardly expects in the theatre."
The exhibit reportedly follows some of Chagall's visual relationships to Mexico and the southwest, also to space and volume. It includes ceramics, collages, and to a lesser degree, some of his paintings. The costumes themselves (hand-painted by Chagall) were sewn by seamstresses in Mexico where Chagall traveled in the course of working on the ballet. They were found in a Mexico City storeroom in the eighties.
Organized by DMA curator Olivier Meslay, and with Musée La Piscine in Roubeaux, France. The exhibit runs to May 26, 2013.
*Photo credit/Art and Seek/One of Chagall's handpainted costumes for the 1942 Léonide Massine ballet "Aleko," "Costume For A Fish."
Read more here: http://www.star-telegram.com/2013/02/20/4630556/seeing-chagall-in-3d-at-the-dallas.html#storylink=cpy
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