From the Post:
The style was indeed too modern to have come from the 1800s, but the real “smoking gun” could be seen in the cracks of the antique ivory itself. The engravings, which had likely been done with a machine, were conducted over top of the existing cracks — indicating a recent engraving, even if the whale teeth themselves were authentic.
Mr. Frank even had a possible culprit; an unknown carver in the Los Angeles area that had been selling fake erotic scrimshaw since at least the 1970s. “He said it was likely the work of one person who unscrupulously took in this collector who wouldn’t know otherwise,” said Mr. Delgado.As for the otherwise controversial issues surrounding the show, the show goes on, with an additional disclaimer to the one accompanying the museum's family-friendly photo ad, but one that was there all along; i.e.:
This whole arrangement was known to the museum’s current managers, of course, which is why they posted a sign warning that some of the pieces have had their “authenticity questioned,” but that “it was felt that the images depicted were true to the period.”
“We can’t say for sure if these examples are from the period, but even if they were produced in the 1920s, does that make them fake because they weren’t produced in the 19th century by whalers?” said current museum director Simon Robinson.
*Photo credits/top, Vancouver Sun/photographer: Arlen Redekop/Tattoos & Scrimshaw: The Art of the Sailor exhibit at Vancouver Maritime Museum/bottom, Vancouver Sun/photographer: Arlen Redekop/"A whalebone carving showing a captain preoccupied with land-based pursuits from Tattoos & Scrimshaw: The Art of the Sailor exhibit on now at the Vancouver Maritime Museum."
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