Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Friday, January 15, 2016

Still Life

Arkansas 18 June 1990Artist and teacher Julie Green paints the Last Supper menus of death row inmates, originally as published in Oklahoma newspapers, a state where the per capita execution rate is higher than Texas. Via Open Culture.

To the left: Arkansas, 1990,  Barbecue chicken, rice & gravy, pinto bean, fresh early June peas, fresh squash, peaches, hot rolls, tea.

More here showing plates of many states.

"My long term hopes for the project," concludes the artist in the video short below,  "are that we'd stop having capital punishment .. and that I'd stop painting plates."  Amen.




The artist narrates a fuller Last Supper slide show below:

Tuesday, November 17, 2015

Vive La France

Je suis Paris.  Jean Julian here, the artist behind the Peace for Paris symbol.


Sunday, January 18, 2015

the confessions of robert crumb (1987)

Simply heartbroken by the #jesuischarlie cartoonist news.  Me too ... in honor of satiric artists everywhere, free thought & speech, and the eternal (French, s'il vous plaît ) spirit of résistance ... posting The Confessions of Robert Crumb (1987) ...



More at Paris Review with American cartoonist Robert Crumb, last seen about the south of France (shhhh!)  ..

Below, another Cheap Suit Serenaders chanson, Crying My Blues Away:




Oh, here is the cover, if you're still searching ... (pricey though) along with more no one is showing you ...

For sale in Chicago, though.
 

*crossposted at Old Sauk River, amongst the many fondly regarded contributors, with that Hunter-Gatherer news site.  As for the curiosity shop, it is still out for the time being.  We are still working on that coming back, reincarnated better than ever before, soon (we hope)  ...

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1.21.2015 crossposted Editor's Note.  The satiric comment about a pricey Ebay Charlie Hebdo copy was made with the writer's off-the-cuff perception (and possible misunderstanding) that an unknown individual was selling theirs (in the Charlie Hebdo magazine-deprived U.S.A.) for something like 30,000 dollars .. and the way others, say, have Ebay or amazon-posted their favorite 10.00 dollar novel or CD for similar profits with a "Hey, ya never know," "might as well." 

It has since come to our attention that the magazine is donating proceeds to the families of the victims and that may be a genuine fundraising attempt.  We, of course, fully support such fundraising on behalf of the families of the  victims;  however, we do not research these channels one way or the other.  Therefore, if you wish to donate funds for the Charlie Hebdo families of the victims, we recommend contacting the newspaper directly for further information as to where and how you can do that over the internet.

Monday, January 6, 2014

marthe de florian

File:Boldini Marthe de Florian.jpgA 1940s Paris time capsule discovered in the apartment of one Madame de Florian, whose grandmother was the actress Marthe de Florian, and a muse of painter Giovanni Boldini (1884-1931), born in Italy, died in France, known as "Master of Swish."  One of his love letters to the actress (along with the painting shown left) was discovered in a Right Bank apartment the granddaughter fled during the second World War.  The apartment was never reentered until after her death in southern France in 2010.

Via Michelle Gable, Madame de Florian's grandmother was also a demimondaines, one of a group of very wealthy courtesans during the Parisian Gilded Age or Belle Époque (1871-1914) - known for drinking, gambling, drug use, and excessive spending on clothing.  They lived extravagant lifestyles provided by wealthy, well known lovers, one of whom, in this case, was the famous painter Giovanni Boldini, as well as the 72nd prime minister of France, George Clemenceau, a statesman known as "Père la Victoire" (Father Victory) or "Le Tigre" (The Tiger) who led France into the first World War and was one of the principal architects of the heavily punitive Treaty of Versailles.  When war first broke out, happy go lucky Parisians danced to initial news in the streets, unaware of the cataclysmic events also about to bring their Marthe de Florian Gilded Age to a grinding halt.  A George Clémenceau portrait was painted by Édouard Manet in 1879-1880, and Ferdinand Roybet painted a portrait of his wife, American born Mary (Plummer) Clémenceau .  The Clemenceaus had three children together, and although George had many lovers, including the captivating Marthe de Florian, when Mary Plummer decided to have her own affair with the children's tutor, he had her arrested, jailed for 2 weeks, stripped of her French nationality, and, then sent back to the U.S. on a third class steamer while taking custody of all the children.  On the other hand, another report has a separated (but never divorced) Mary Plummer becoming a magazine writer and tour guide, while raising a daughter Madeline who becomes a famous journalist, public speaker, and Red Cross nurse.  While Paris is under siege, Madeline's mother refuses Clémenceau's offer of evacuation and remains in France.

File:Mary Clémenceau, by Ferdinand Victor Léon Roybet.jpg


The first painting, shown above, of Madame de Florian's grandmother Marthe, discovered in this time  capsuled Parisian apartment in 2010, ultimately sold for €2.1 million.  The second painting, shown above, of Le Tigre's scarlet lettered Mary Plummer is reported by Wikipedia as unknown in its present whereabouts.

*Photo credit/top, via Wikipedia, Portrait of the actress Marthe de Florian aged 24 in 1898, by the artist Giovanni Boldini/second, via Wikipedia, portrait of Mary (Plummer) Clémenceau, by the artist Ferdinand Roybet - date of painting unreported, location of painting reported unknown.

Sunday, December 15, 2013

in the studio



Eddie Martinez working on a painting in his Brooklyn studio, video below.  His 2010 mixed media on canvas The Feast (shown above) is currently on view at the Saatchi Gallery in London through March 2014, part of the exhibition, "Body Language."  Photo via New American Paintings in an Art Basel Miami Beach installation view.

Tuesday, November 26, 2013

it felt like i knew you

Taking exhibition sleep to new heights?  Perchance to dream?  Aye, there's the rub with a daring subway performance art piece from George Ferrandi.

Antonellapavesse.com also comments here on a city that always sleeps on its underground along with 800 more pictures of  Big Apple MTA snoozing.  The blogger observes, "New York is the city that is chronically sleep deprived and takes naps on the subway."

Friday, November 8, 2013

le ballet mécanique

Le Ballet Mécanique (1924), a collaboration between American composer George Antheil, French painter, sculptor, and filmmaker Joseph Fernand Henri Léger, filmmaker Dudley Murphy, and American modernist artist Man Ray who contributed cinematographic input.



The Philadelphia Museum of Art is currently hosting an interdisciplinary exhibition through January 5th, 2014, Léger: Modern Art and the Metropolis.   Curated by Anna Vallye, the exhibit is designed to "shed new light on the vitally experimental decade of the 1920s in Paris when the great French modernist Fernand Léger (1881-1955) played a leading role in redefining the practice of painting by bringing it into active engagement with the urban environment and modern mass media. This will be the first exhibition to take as its inspiration and focus Léger’s monumental painting The City (1919), a cornerstone of the Philadelphia Museum of Art’s collection and a landmark in the history of modern art, placing it in dialogue with the urban art and culture of modernity."

PMA hosted a screening and discussion of Le Ballet Mécanique, what wiki describes as one of the masterpieces of early experimental filmmaking. Composer Antheil's "most enduring work" was intended as a soundtrack, but film and music were reportedly not brought together until the 1990s.

Monday, September 30, 2013

Sunday, September 29, 2013

20,000 leagues under the sea

A photostream of the remarkable South Philly home of Adam Wallacavage, militant ornamentalist and father of octopus chandeliers.  Much of what you see in that photostream was made by Adam Wallacavage himself with a solo exhibition of his works, Magic Mountain, slated for the Jonathan LeVine Gallery in NYC, Oct 19th-Nov. 16th, 2013.  Mr. Wallacavage is also a photographer - so don't miss this series.  Or browse here at instagram.

Tuesday, September 10, 2013

from attic to museum

So journeys a newly discerned Vincent Van Gough, Sunset at Montmajour, enthusiastically unveiled by Amsterdam's Van Gough Museum on Monday.  Museum experts thought otherwise in 1991 when an undisclosed collector initially carried the painting over for them to have a look at.

Since 1991, new techniques for authenticating art have developed;  so, reports the New York Times, about ten years later, the owner (still haunted by questions, one gathers) took the painting back.  Enabled and emboldened by these new techniques, researchers looked again, and have been looking ever since, with Van Gough now believed to have indeed painted this "more experimental" work from his "mature period" on July 4th, 1888 when he wrote to his brother on the following day,
“Yesterday, at sunset, I was on a stony heath, where very small, twisted oaks grow, in the background a ruin on the hill, and wheat fields in the valley. It was romantic, it couldn’t be more so, à la Monticelli, the sun was pouring its very yellow rays over the bushes and the ground, absolutely a shower of gold. And all the lines were beautiful; the whole scene had charming nobility.”

http://cbsfwbam.files.wordpress.com/2013/09/sunset-at-montmajour-625.jpg?w=625&h=352&crop=1


 A flicker photographer (similarly bewitched, one supposes) snapped this yellow Montmajour sunset upon a group of wild horses.

The Museum of Fine Arts in Houston reports that painting on site in Montmajour was a constant struggle for Van Gough because of "fierce, blustering winds that swept through this region" and "whipped violently against his canvases."  MFAH is home to another 1888 Montmajour Van Gough titled The Rocks.  The Rocks played a key role in conclusively determining that Sunset at Montmajour was truly a Van Gough.

1888 is also the same year Van Gough's ear incident went viral. 

Via wiki, Montmajour Abbey, the "ruins" of which are said to be seen from a distance in Sunset at Montmajour.  During the Middle Ages, the abbey was an important pilgrimage site, and during the 18th century, housed a Maurist monastery that is now in ruins, shown second.  Wiki reports the building largely demolished for building materials after the French Revolution (1789-1799).

File:Montmajour-VueGénérale1.jpg

File:Montmajour StMaur 03.jpg
 
 
*Photo credit/top, New York Times, photographer: Herman Wouters; second, via cbswpam, Sunset at Montmajour, by Vincent Van Gough;  third, Wikipedia, uploaded by Len'Alex, March 2005, Vue générale de l'abbaye; fourth, Wikipedia, photographer: Marc Ryckaert (MJJR), Montmajour Abbey near Arles (département des Bouches-du-Rhône, France): ruins of the Monastère Saint-Maur, 18th century.

Sunday, August 25, 2013

in the studio

Via huffpost and Stucky Art, cartographer and artist Jerry Gretzinger has spent the last fifty years (and for the next twenty, plans to continue) sketching and painting a map for a fictional world.  An online version here.  I think it's called Ukrania, but I'm not sure.

Sunday, August 18, 2013

#daydetroit

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The internet rallies to save the Detroit Art Institute.  As I joined in the virtual "march" - which you can view on twitter at #DayDetroit (and better yet, also participate), I couldn't take my eyes off the museum's Paul McPharlin Puppetry Collection (example, photo left), "one of the most significant collections of historical puppets in the United States."

Check out more here, here,  here, and here.

Ouch, the DIA also houses Howdy.

 What has become of us when our nation's most prized art collections are scattered to the winds?

Here are some of my picks from among the more traditionally smitten favorites;  a detail from Diego Rivera's Detroit Industry;  Bourguereau's hazelnut gatherers;  Paul Cézanne's bathers.


More news on this sad state of affairs from Rachel Maddow:

Visit NBCNews.com for breaking news, world news, and news about the economy

Wednesday, July 24, 2013

woodfish

In the studio and gallery with Bellingham, Washington artists Tom Wood and RR "Fishboy" Clark, from their February 2013 collaborative exhibit, Woodfish at the Lucia Douglas Gallery.  The youtube was made and posted by Bellingham artist and muralist Lanny Little.

Saturday, May 25, 2013

be nice or leave

A short documentary about "Dr. Bob" Schaffer, a New Orleans folk artist whose work is well known and displayed throughout the city.  Dr. Bob has been featured in many newspapers and magazines including the Smithsonian, the Times-Picayune, and Big City Rhythm and Blues-- and purchased by notables like Emmy Lou Harris and Mariah Carey.  Dr. Bob works in a 6,000 square foot Chartres Street warehouse often visited by other artists -- and where you can peruse a rich collection of signs, paintings, assemblages, found objects, and now charmed witticisms (like his familiar, "Be nice or leave.")

Wednesday, May 8, 2013

associations

===blog==aug 19==klee puppet colorPaul Klee's puppets associated to Henry Darger.  In the early 1920's, he made 50 for his son Felix, 30 of which have survived.  Ptak also comments,
  
The puppets are intimate, made for his son for play, and are composed of bristle and bone and nutshells and electrical outlets and bits of gingham and cloth and wire and buttons.  Stuff from the junk drawn or whatnot box.  Klee did construct more elaborate puppets for his connection with the theatre, and of course was also a sculptor.  But I do like these little puppets, much in the same way as I enjoy the small toys made by Alexander Calder for his kids.

Charming Calder toy and circus photos here at Mochimochi Land who writes:  

calder3When living in Paris in the 1920s, Calder created a cast of human and animal figures made of wire and scraps of other simple materials. Each of these toys could perform a trick of motion when manipulated by hand: a lion tamer snapped a whip, a dog walked around on its hind legs. Calder held entire mini circus performances in which he would get down on the floor and manipulate his modernist toys for audiences adults and children. (Back in New York, fans could book Calder’s circus through the Junior League at Saks Fifth Avenue.)





Via Mochi, the Whitney has this youtube of Calder performing his circus, though noting that seeing it in person during the 1920's must have been a vastly different experience:




*Photo credit/top, Ptak Science Books/3 of Paul Klee's surviving puppets/second, Mochimochi Land, an Alexander Calder circus toy.